Lit Terms #5

Parallelism: the principle in sentence structure that states elements of equal function should have equal form

Parody: an imitation of mimicking of a composition or of the style of a well-known artist.
Pathos: the ability in literature to call forth feelings of pity, compassion, and/or sadness.
Pedantry: a display of learning for its own sake.
Personification: a figure of speech attributing human qualities to inanimate objects or abstract ideas.

Plot: a plan or scheme to accomplish a purpose.

Poignant: eliciting sorrow or sentiment.

Point of View: the attitude unifying any oral or written argumentation; in description, the physical point from which the observer views what he is describing.

Postmodernism: literature characterized by experimentation, irony, nontraditional forms, multiple meanings, playfulness and a blurred boundary between real and imaginary

Prose: the ordinary form of spoken and written language; language that does not have a regular rhyme pattern.
Protagonist: the central character in a work of fiction; opposes antagonist

Pun: play on words; the humorous use of a word emphasizing different meanings or applications.

Purpose: the intended result wished by an author.

Realism: writing about the ordinary aspects of life in a straightforward manner to reflect life as it actually is.

Refrain: a phrase or verse recurring at intervals in a poem or song; chorus.
Requiem: any chant, dirge, hymn, or musical service for the dead.
Resolution: point in a literary work at which the chief dramatic complication is worked out; denouement.
Restatement: idea repeated for emphasis.
Rhetoric: use of language, both written and verbal in order to persuade.
Rhetorical Question: question suggesting its own answer or not requiring an answer; used in argument or persuasion.
Rising Action: plot build up, caused by conflict and complications, advancement towards climax.
Romanticism: movement in western culture beginning in the eighteenth and peaking in the nineteenth century as a revolt against Classicism; imagination was valued over reason and fact.
Satire: ridicules or condemns the weakness and wrong doings of individuals, groups, institutions, or humanity in general.
Scansion: the analysis of verse in terms of meter.
Setting: the time and place in which events in a short story, novel, play, or narrative poem occur.

THE TIME OF MY LIFE

Like always, I began this day with the journal topic. It took roughly ten minutes to complete. Then as a class we discussed how we were going to go about what Dr. Preston's plans. We decided that Two people from each novel would speak about their interpretations of each book. This consumed the remainder of class time. I feel as if we left with a much better understanding of both novels.

Literature Analysis #4

Jose Sagrero

1-31-14

Period 3

 

One Hundred Years of Solitude

Gabriel Garcia Marquez

 

Summary

      This is the story of seven generations of the Buendia family in Macodo. Jose Arcadio Buendia, along with his wife, travels form his native land, Riohacha, to provide a better life for his family. He dreams of a golden place, Macondo, where he believes that he and hos family would be able to have a wonderful life there. He wakes form a dream and decides to found his dream city by at a riverside, in turn this enables him to mold the place in his image. Macodo becomes a town of unusual and extraordinary events, which involves the Buendia family unable to overcome misfortunes, eventually a hurricane destroys the  dream world of Jose Arcadio Buendia. Then one day a Buendia man discovers an inscription that past generations have failed to decipher. This message informs a recipient of every fortune and misfortune lived by previous generations.

Theme

      A noteworthy theme for this novel is to go for your dreams, even if a problem arises always have hope that it will turn out for the better. Have much faith in what you would yearn to accomplish.

Tone

      The tone of this novel is hopeful and adventurous at first. Then it becomes more depressing when the Buendia families try to overcome many hardships. Then the adventurous feeling arises once again after this newest Buendia man finds this message that had all the misfortunes of the past.

Literary Elements

  Allusion- The town of Macodo is an allusion to the Garden of Eden. At first it is a place wonders,    then it becomes a place of disaster.

 

Assumption- Jose Arcadio Buendia assumes that his fantasy place, Macodo, will be a place of magic and tranquility.

  

Conflict-This conflict is about the ancient beliefs between old traditions and new ways of thinking.

 

Foil- Two sisters fall for the same guy: Rebeca- always takes matters into her own hands going as far as shooting Jose Arcadio when he becomes a monster. Armanta- starts out lively and energetic, but the becomes repressed and withdrawn, she never takes action.

 

Foreshadowing- The final reading of the prophecies was foreshadowed through the entire novel. When the author tells about these prophecies, he tries to portray how puzzled each family is.

 

Hyperbole- "What no member of the family ever knew was that the strangers did not take long to realize that Remedios the Beauty gave off a breath of perturbation,  a tormenting breeze that was still perceptible several hours after she passed by... On the porch with the begonias, in the parlor, in any place in the house, it was possible to point out the exact place where she had been and the time that had passed since she had left it." Although she was not completely in the right mind, Remedios was the most beautiful women to ever walk on Macodo. This Hyperbole states the beauty that she possessed.

 

Irony- In the banana strike, the court uses very vague examples to show that banana workers did not exist and were not "employees" of any firm. This government evasion has some consequences to be dealt with.

 

Motif- The bible- many characters can be allegorical of some biblical characters. The novel reflects the early days of Macado, innocent and free all the way to the apocalyptic events that transpired.

 

Repetition- Marquez shows a lot of repetition to the extent of possibly trying to get the reader to see this repetition. "...she had the lively eyes that Ursula had had at her age and the way in which she said goodbye...revealed the same strength of character (380)."

 

Symbolism- The thousands of gold fish that Colonel Aureliano Buendía makes shifts over time. At first they represent the artistic side of the Aurelianos. It would then go on to represent how Aureliano left his mark on the world.  

Characterization

1. Direct characterization is used when describing Remedios. Her physical attributes were described very detailed. It was better for direct characterization because we would not have such a great understanding of her outer beauty through indirect characterization. Colonel Aureliano Buendía would be direct characterization because he is an artist and was able to be communicated because we were told what his passion in life is and how great of an artist he was. Indirect characterization was used with Jose Arcadio Buendia because Marquez depicts him as a hopeful adventurer who wants his family to have a better life than they have now. He then becomes mad and delusional, but we learn it through his speech and actions. His wife Ursula on the other hand, had strong will power as shown when she lived the longest of he immediate family and even tool in another child as well.
2. Gabriel Garcia Marquez's syntax does not change through the novel because it was within the same family and they learn to speak from one another. This is somewhat surprising because we read through many generations of family, but the again they are in solitude.
3. Jose Arcadio Buendia is a dynamic character because we see him go from a hopeful family man to a mad senile old man whose brain is filled with much delusion.
4. I don't feel a personal connection with this story mainly because I am living in a time where it is difficult to be apart form the world, mostly because of technology. I did however understand what many generations of a family had to go through with all these hard ships.

Lit Terms #4

Interior Monologue: a form of writing which represents the inner thoughts of a character

 

Inversion: words out of order for emphasis.

Juxtaposition: the intentional placement of a word, phrase, sentences of paragraph to contrast with another nearby.

Lyric: a poem having musical form and quality; a short outburst of the author's innermost thoughts and feelings.

 

Magic(al) Realism: a genre developed in Latin America which juxtaposes the everyday with the marvelous or magical.

 

Metaphor: an analogy that compare two different things imaginatively directly.

 

Metonymy: literally "name changing" a device of figurative language in which the name of an attribute or associated thing is substituted for the usual name of a thing.

Mode of Discourse: argument (persuasion), narration, description, and exposition.

Modernism: literary movement characterized by stylistic experimentation, rejection of tradition, interest in symbolism and psychology

 

Monologue: an extended speech by a character in a play, short story, novel, or narrative poem

Mood: the predominating atmosphere evoked by a literary piece.

Motif: a recurring feature (name, image, or phrase) in a piece of literature.

Myth: a story, often about immortals, and sometimes connected with religious rituals, that attempts to give meaning to the mysteries of the world.

Narrative: a story or description of events.

Narrator: one who narrates, or tells, a story.

Naturalism: extreme form of realism

Novelette/Novella: short story; short prose narrative, often satirical.

Omniscient Point of View: knowing all things, usually the third person.

Onomatopoeia: use of a word whose sound in some degree imitates or suggests its meaning

Oxymoron: a figure of speech in which two contradicting words or phrases are combined to produce a rhetorical effect by means of a concise paradox.

Pacing: rate of movement; tempo.

Parable: a story designed to convey some religious principle, moral lesson, or general truth.

Paradox: a statement apparently self-contradictory or absurd

 

 

 

 

 

 

 

WHAT'S THE STORY?

Charles Dickens wrote Tale of Two Cities because he wanted to display the difficulties that common people faced during the French revolution. The fact that people are sentenced to murder shows how brutal the "government" was. This was portrayed with Mr. Darnay and trying not to be put to death, but he was put to death anyways. It was also able to show that there were still people to rely on, shown with the man who decided to tke the blame for him.

AP PREP POST 1: SIDDHARTHA

1. analyze the literary elements in the story and how they affect the story.
       Siddhartha used allusion to his father because he was not sure if he should return to his father and accept his help or try to find his own way.
2. trace the development of Siddhartha’s character, making note of how and why he changes in his journey toward Nirvana.
      His character changes because of the experiences he faces makes him better understand what he is looking for

3. identify and analyze water as a major theme and extended metaphor.
      Water is an important theme because it is the main source of survival and this relates with the extended metaphor because Siddhartha is trying to survive to find his way. 

4. analyze how the elements of the Hindu religion affect the development of the story.
      Since this is based in India Hindus influence was great because we got insight to who he really was with a bit of background on his views.

5. analyze the structure of the story and how it influences the plot.
      Structure influences plot because it grows more intense as Siddhartha grows and changes as a person.





All of these were taken from the site: enotes.com

Link

Practice Essay

Jose Sagrero

12-1-13

Period 3

 

Practice Essay

 

          The world is filled with many different people, two examples would include: those who strive for adventure and excitement and those who look for solitude and seclusion. The adventurous side of the people would very much enjoy having a new challenge to conquer and overcome. Those that seek solitude would very much rather like to avoid anything that would force them to be open to discovering something new. When we compare authors like Plato and Sartre we find that their writing styles seem to contrast very accurately.
         
          Plato is a literary genius that seems to never go away despite his literature being fairly old, the genius comes from his work being related to more modern times. He is viewed as a more adventurous author because his characters are always in a situation where the are learning, An example is the freed slave form his allegory of the cave, where we see this slave experience the world even after years of him being secluded. In a new situation h would know that this is an opportunity for him to learn. This is how his character was portrayed, as a person seeking more things to learn. The tone used would be very optimistic and full of excitement because this opportunity is very beneficial for a learning experience. This character is an example of Plato always wanting to expand his horizons with his characters.

          Sartre is also another author who was able to cause a stir with his literature, which was thought to be hypocritical and contradicting. He made his characters very cautious of others. For example in his "No Exit" his characters were very displeased with their situations and did not want to communicate with the other two. Estelle would be a loose example because she does not want the others to know why she is there. She would not want to learn new things because then it would make her come closer to revealing the truth about her life. But, as shown in the play she would eventually open up to the others about why she is there. This would be a loose example because she would seem timid at first but eventually confident enough to show who she really is.

         Plato and Sartre both know how to develop character to their liking, but they both do this with much contrast. Plato is all for being collaborative with other people, whereas Sartre is more focused on trying to be alone and avoid as much confrontation as possible. The freed slave in "Allegory of the Cave" would have a fairly difficult time collaborating with Estelle form "No Exit".